November 27, 2017
Thanks to generous funding provided by Matthew Nimetz, CASI is holding a follow-on workshop this year to the seminar it conducted in 2014 on the 鈥淚ntersections of History and Literature in Central Asia.鈥� The workshop will be held on the campus of 缅北强奸 in Bishkek from 30 November to 2 December 2017.
The aim of the workshop听is to help create of community of junior scholars and advanced graduate students committed to studying literature and to applying literary tools and methodologies to the study of literary art in the Central Asian past. Our hope is that such a community will have a determining impact on the shape of literary studies within the discipline in the next decade and make literature something other than a means to advance the social and political approaches dominant in the field.听
There are 13 participants in total in this year鈥檚 workshop, including advanced graduate students and junior scholars from some of the most prestigious universities in the United States and Europe. We are also pleased to welcome Professor Ali Igmen. The current President of the Central Eurasian Studies Society, he is also the author of Speaking Soviet with an Accent, his study of culture and power in Soviet Kyrgyzstan. Together with Svetlana Jaquesson, the head of CASI, Professor Igmen will be acting as an outside reader, providing commentary and critique to the papers submitted to the workshop.
Though the workshop is closed to the public, CASI will be offering public lectures in the days immediately before and after the workshop in a series entitled 鈥淟iterary Week.鈥� There will be five public lectures in total. Please follow CASI announcements for more information. 听听
Workshop Participants (those submitting papers)
Samuel Hodgkin, Soviet era literature in Tajikistan (graduate student, University of Chicago), 鈥淩uins and Paper Architecture: Heterochronia and Stalinist World Culture.鈥�
Joshua Freeman, contemporary Uighur literature (graduate student, Harvard University), 鈥淧atronage and power in early Maoist Xinjiang.鈥�
Christopher Fort, Soviet era Uzbek literature (graduate student, University of Michigan, Ann Arbor), 鈥淒econstructing Soviet Literary Construction: A Deconstruction of Hamza Hakimzoda Niyoziy's 鈥榬estored鈥� play听The Rich Man and the Servant听(1918 and 1939).鈥�
Diana Kudaibergenova. modern Kazakh literature (PhD Cambridge University), 鈥�Uyat! Gender, Shame and the Body in Central Asian Literature and Art."
Gabriel McGuire, nineteenth and twentieth century Kazakh literature (PhD, Indiana University), 鈥淎ldar K枚se as Trickster and as Comrade.鈥�
Naomi Caffee, Russophone literature in Soviet Kazakhstan (PhD, University of California, Los Angeles), 鈥淭here is no East, no West, and Time is the only place for me:鈥� Central Asian Writers and the Poetics of Post-Soviet Mobility.鈥澨�
Emily Laskin, Persian and Russian Literature in the Central Asian borderlands (graduate student, University of California Berkeley), 鈥淭oward a Theory of Second World Literature: The Case of Sadriddin Aini's听Reminiscences."
Charles Shaw, Soviet era Uzbek social, cultural, and literary history, (PhD, University of California, Berkeley), 鈥淣asriddin Afandi in Bukhara and Berlin: Humor, Empire, and the Soviet Union at War.鈥�
Inzhuna Karazhanova, Feminist literary criticism, Kazakh literature and folktales (graduate student, Nazarbayev University), 鈥淭he Female Monsters of Kazakh Fairy Tales: Delineating Normative and Transgressive Womahood.鈥澨�
Nick Walsmley, Turkic literature in the Chaghatay Khanate and its successor states, the Ulus Chaghatay and Moghulistan (PhD, Indiana University) 鈥淐ontextualizing reflection: networks of response among poets in Mawarannahr and Eastern Turkestan (18th-19th 肠别苍迟蝉.)鈥�
Christopher Baker, literature and culture in late Soviet Kazakhstan (assistant professor, 缅北强奸; research coordinator CASI) 鈥淓thnic Words and Soviet Things: Coming to Terms with Soviet Civilization in Esenberlin鈥檚 碍艒艧辫别苍诲颈濒别谤鈥�
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